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In my experience, the newer or younger someone is when you start writing the less you're inclined to do much rewriting.
The sheer energy it takes to actually finish something (assuming you finish before giving up on it) can be so daunting that even the thought of going back to what you wrote and giving it a hard, honest look is depressing, frightening or both.
But when you get to the point that you understand the value of rewriting and you know going into every new project that you will indeed be rewriting it, the revision process becomes less painful.
Some people advocate pushing through to the end without looking back before starting the rewrite. Others like to get to a certain point (End of Act One, End of Act Two, Page 50) before going back to the beginning and seeing what they've got. Others still like to revise on Tuesday what they wrote on Monday. I personally have tried it all three ways. I have a hard time completing something without doing major rewriting of the first Act. It's sort of like building a strong foundation. If I'm confident that my first Act is solid I can move forward. Not that when I've typed in Fade Out and The End that I won't rewrite Act One again or at least parts of it. But for me it's comforting to know that the first 30 or so pages of my script work.
I've been known to do 4 or 5 drafts. Not Page 1 rewrites, but lots of polishing and rethinking of certain scenes. I know others who do more drafts and others still who get it right after a first draft, a second draft and a polish.
The important thing is to figure out what works best for you.
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